Hillary-Marie is a tap dance artist, a visual music maker who celebrates music and dance as the universal languages of the world. One of the most accomplished tap dance artists and tap dance producers in America, she is an award-winning, internationally acclaimed soloist and at age 17 founded Jersey Tap Fest, named the Best Place to See Live Dance Performances in New Jersey by New Jersey Stage. She is also the director of FutureSTEP Tap Company, Hillary-Marie’s Sole Music Collective, Grooves Unlimited Dance Studio and iTapOnline. She has served as Adjunct Professor at Montclair State University and guest faculty at Alvin Ailey and STEPS. In 2017, she received an Individual Artist Fellowship in Choreography from the New Jersey State Council on the Arts, one of their most competitive awards.
A native of New Jersey, Hillary-Marie has been recognized by and featured in the New York Times, Star Ledger, Dance Studio Life Magazine, Dance Spirit Magazine and Dance Teacher Magazine. She has given a TedXTalk about her artist-entrepreneur experience and has traveled the world as a featured soloist at the Apollo Theater, Jazz at Lincoln Center, Highline Ballroom, Copacabana, NJ State Theater, NJPAC, SOPAC, Symphony Space, Westobou Festival as well as Tap and Jazz festivals in Europe, Central America, Asia and throughout the U.S. For many years, she performed weekly at Harlem’s Cotton Club as a part of Bessie-award winner Dormeshia Sumbry Edwards’ group “Sophisticated Ladies”, and previously worked with Emmy-award winning artist Jason Samuels Smith (A.C.G.I.) as well as Derick K. Grant (Rhythm Is Our Business). She has performed with Big Bad Voodoo Daddy and with trombonist Wycliffe Gordon. Before his death she performed with award-winning composer of A Chorus Line, Marvin Hamlisch, and has danced with Heather Cornell (Conversations), Roxane Butterfly (New Dance Alliance), Maurice Chestnut (Above Ground Project), Christopher Scott (W-L-U-V), Lisa LaTouche (Tap Phonics), the Boston Tap Company (Rhythm in the Night), the NJTAP Dance Ensemble, Nat Adderley Jr., and both the Princeton and New Jersey Symphony Orchestras.
Hillary-Marie’s dancing has been described as ‘like feathers with steel bones’ due to her combination of strength and grace.